Engraving of Todos os Santos Bay from 1671 Explained

Baia de Todos os Santos, Brasil - 1671 - A obra de Montanus foi talvez o maior livro ilustrado sobre o Novo Mundo produzido no século XVII. Continha mais de cem placas, vistas e mapas lindamente gravados da América do Norte e do Sul. As placas retratam vividamente fortes, festivais, ocupações, frotas holandesas, batalhas, ritos religiosos e costumes dos habitantes nativos. Esta importante obra foi traduzida para o alemão por Olivier Dapper e para o inglês por John Ogilby. Várias das placas foram posteriormente adquiridas por Pierre Vander Aa. Esta é uma vista soberba da Baía de Todos os Santos com Salvador da Bahia ao fundo. A gravura ilustra a região quando os holandeses tentavam obter o controle das colônias portuguesas no Brasil e seu lucrativo comércio de açúcar. Em 1624, os holandeses capturaram e saquearam o Salvador da Bahia, mantendo-o junto com outros portos do nordeste até ser retomado por uma frota hispano-portuguesa. A cidade desempenhou então um papel estrategicamente vital na resistência luso-brasileira contra os holandeses na década de 1630. Essa visão foi tirada do trabalho de Frans Post. Suas obras são algumas das primeiras pinturas européias do Brasil e foram avidamente reproduzidas na impressão por gravadores holandeses. "Sinus Omnium Sanctoru", Montanus, Arnoldus
Baía de Todos os Santos, Brazil – 1671 – Montanus’ work was perhaps the greatest illustrated book of the New World produced in the 17th century. It contained more than a hundred beautifully engraved plates, views and maps of North and South America. The plates vividly depicted forts, festivals, occupations, Dutch fleets, battles, religious rites and native customs. This important work was translated into German by Olivier Dapper and into English by John Ogilby. Several of the plates were later acquired by Pierre Vander Aa. This is a superb view of Todos os Santos Bay with Salvador da Bahia in the background. The engraving shows the region when the Dutch were trying to gain control of the Portuguese colonies in Brazil and their lucrative sugar trade. In 1624, the Dutch captured and looted Salvador da Bahia and held it, along with other ports in the northeast, until it was recaptured by a Spanish-Portuguese fleet. The city then played a strategic role in the Portuguese-Brazilian resistance against the Dutch in the 1630s. This view is taken from the work of Frans Post. His works are among the earliest European paintings of Brazil and were eagerly reproduced in print by Dutch engravers. “Sinus Omnium Sanctoru”, Montanus, Arnoldus

Engraving of Todos os Santos Bay from 1671, Brazil

Montanus’s work was perhaps the greatest illustrated book on the New World produced in the 17th century.

It contained over a hundred beautifully engraved plates, views and maps of North and South America.

The plates vividly depicted forts, festivals, occupations, Dutch fleets, battles, religious rites and native customs.

This important work was translated into German by Olivier Dapper and into English by John Ogilby.

Several of the plates were later acquired by Pierre Vander Aa.

This is a superb view of Todos os Santos Bay with Salvador da Bahia in the background.

The engraving shows the region when the Dutch were trying to gain control of the Portuguese colonies in Brazil and their lucrative sugar trade.

In 1624, the Dutch captured and sacked Salvador da Bahia and held it, along with other ports in the north-east, until it was recaptured by a Spanish-Portuguese fleet.

The city then played a strategic role in the Portuguese-Brazilian resistance against the Dutch in the 1630s.

This view is taken from the work of Frans Post. His works are among the earliest European paintings of Brazil and were eagerly reproduced in print by Dutch engravers. “Sinus Omnium Sanctoru”, Montanus, Arnoldus

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